Law and Real Estate Essay Example for Free

Law and Real Estate Essay Executive Summary Pacific Grove Spice started as a small specialty grocer on the Monterey Peninsula of California in the early 1980s. Within 10 years they were the â€Å"place† to find spices in Central California and now have a widespread reach covering all 50 states. The spice industry that it is in has been growing steadily because of how important a role spices are getting in the kitchens and in cooking. The growing concern about obesity and diet has also left a positive impact because of the health conscious people that desire healthier meals that are still favorable. The demand for spices is at an all-time high and although multinational firms like McCormick Company dominate the industry, many small firms are competing successfully, Pacific Grove spice being one of them. The problem that Debra Peterson and Fletcher Hodges are having is that they have three choices to make. They have to decide whether they should accept an offer from a cable-cooking network to produce and sponsor a new program, raise new equity by selling shares of common stock, and/or acquire High Country Seasonings-a privately owned spice company. While making their decision they have to keep in mind that the bank financing their company wants them to reduce interest-bearing debt to less than 55% of total assets and the equity multiplier to less than 2.7 times by June 2012. We recommend that Introduction Debra Peterson is currently the Chief Executive Officer of the Pacific Grove Spice Company. The Chief Financial Officer, Fletcher Hodges, and she are trying to figure out what strategy to take to meet the demands of the bank that finances their company. The recent financial crisis had made the credit committee uneasy and they now want Pacific Grove Spice to reduce interest-bearing debt to less than 55% of total assets and the equity multiplier to less than 2.7 times by June 2012. They have three options they are currently considering and this case study illustrates the financial forecasts for the next few years and showcases what we feel is the best decision for them regarding their options and the banks demands. Analysis Pacific Grove Spice’s operations are not profitable enough to quickly bring  it into compliance with the bank’s requirements. It’ll take about four years with just the regular operations.

Cloning - Well, Split My Embryo! :: Cloning Argumentative Persuasive Argument

Cloning – Well, Split My Embryo! Genetic engineering, altering the inherited characteristics of an organism in a predetermined way, by introducing into it a piece of the genetic material of another organism. Genetic engineering offers the hope of cures for many inherited diseases, once the problem of low efficiencies of effective transfer of genetic material is overcome. Another development has been the refinement of the technique called cloning, which produces large numbers of genetically identical individuals by transplanting whole cell nuclei. With other techniques scientists can isolate sections of DNA representing single genes, determine their nucleotide sequences, and reproduce them in the laboratory. This offers the possibility of creating entirely new genes with commercially or medically desirable properties. While the potential benefits of genetic engineering are considerable, so may be the potential dangers. For example, the introduction of cancer-causing genes into a common infectious organism, such as the influenza virus, could be hazardous. We have come to believe that all human beings are equal; but even more firmly, we are taught to believe each one of us is unique. Is that idea undercut by cloning? That is, if you can deliberately make any number of copies of an individual, is each one special? How special can clones feel, knowing they were replicated like smile buttons. "We aren't just our genes, we're a whole collection of our experiences," says Albert Jonsen. But the idea, he adds, raises a host of issues, "from the fantastic to the profound." When anesthesia was discovered in the 19th century, there was a speculation that it would rob humans of the transforming experience of suffering. When three decades ago, James Watson and Francis Crick unraveled the genetic code, popular discussion turned not to the new hope for vanquishing disease but to the specter of genetically engineered races of supermen and worker drones. Later, the arrival of organ transplants set people brooding about a world of clanking Frankensteins, welded together made from used parts. Already there are thousands of frozen embryos sitting in liquid nitrogen storage around the country. "Suppose somebody wanted to advertise cloned embryos by showing pictures of already born children like a product," says Prof. Ruth Macklin, of New York's Albert Einstein College of medicine, who specializes in human reproduction. Splitting an embryo mat seem a great technological leap, but in a world where embryos are already created in test tubes, it's a baby step. The current challenge in reproductive medicine is not to produce more embryos but to identify healthy ones and get them to grow in the womb. Using genetic tests, doctors can now screen embryonic cells for hereditary diseases.

Song for Last years wife- essay

Explore how the writer of one of your choice from the relationship collections presents different ideas about relationships from those given in ‘song for last year's wife' The poem by Brian Pattern presents thoughts of a man who misses his wife. The man In the poem Is directly talking to his wife which plays a role in the structure of the poem. On the contrary, ‘One Flesh' by Elizabeth Jennings explores the effect of long term relationships as the poem Is written about her parents, therefore It Is quite personal.Both poems have two very different themes within the main theme of legislations, for instance, ‘One Flesh' looks at the process of long term relationships and ‘Song for last year's wife' stud's the theme of pain when relationships breakdown. Both titles of the poem have some sort of connotation behind it. One flesh is mentioned in the Bible as it refers to two people becoming one after marriage and meant to be in unity, however, the poem contradicts th e title as it depicts how they are separated from each other even though they are still married.On the other hand, ‘song for last year's wife' alludes to the fact he has another wife but makes the read want to read on to find out what has happened to her. Subsequently, presenting different Ideas about relationship, their structures both vary to fit the Idea and perspective. The rhyme scheme of One Flesh Is A, B, A, B, A, A In the first two stanzas but the last stanza does not have a rhyming couplet as these two who are my has now grown cold' shows that there was a strong relationship at the start but broke down and has shattered.Perhaps, the effect of having a rhyming couplet at the end of the first two stanzas and not the last one is that the relationship has reached a level where there isn't any hope for their love for each other but Just they have to be together for their daughter's sake. On the other hand, Pattern does not use a rhyme scheme as the man is talking to his wi fe and you wouldn't necessary talk in rhyme therefore it is more natural. Both poems use the poetic device of metaphor but in different ways to fit the theme of the poem.The metaphor in song for last year's wife ‘perhaps It Is the winter, its Isolations ghost to witness' conveys a absence of his wife with the reference to a ‘ghost' which suggests that something still haunts him and memories of her still come to him. Whereas, Jennings uses a metaphor to show how the couple's relationship was strong and stable at the start room whose fire from I came from, has now grown cold'. This shows that their relationship was full of passion and fun but slowly drowned out to nothing but separation.Here, images of heat and cold are used to reinforce how their passion is dying. Moreover, when Patter uses a alliteration at the start of the poem ‘of waking without you' the emphasis of without increases due to the consonant being sharp so we know how hurt he is feeling without his w ife which leads on the tension of what has happened to her. Similarly, the use of alliteration when saying ‘light on late' tresses how the light Is kept on and makes us as the reader wonder why it I left on late that also add a level of apprehension towards the poem.To conclude, ‘One Flesh' and ‘Song for Last Year's Wife' both present their Ideas In different ways to emphasis the certain aspect of relationships they are trying to portray. Jennings uses the structure mostly to support how the couple's relationship is unstable whereas absence of his wife. Both poets use connotations to expand on their ideas which draw the reader in therefore, becoming a more precise poem in terms of being articulate towards the theme that is being represented.

Areitos Ancient Caribbean Taino Ceremonies

Areito also spelled areyto (plural areitos) is what the Spanish conquistadors called an important ceremony composed and performed by and for the Taà ­no people of the Caribbean. An areito was a bailar candanto or sung dance, an intoxicating blend of dance, music and poetry, and it played a significant role in Taà ­no social, political, and religious life. According to 15th and early 16th-century Spanish chroniclers, areitos were performed in the main plaza of a village, or in the area in front of the chief’s house. In some cases, the plazas were specifically configured for use as dancing grounds, with their edges defined by earthen embankments or by a series of standing stones. The stones and embankments were often decorated with carved images of zemis, mythological beings or noble ancestors of the Taà ­no. The Role of Spanish Chroniclers Almost all of our information concerning the early Taà ­no ceremonies comes from the reports of Spanish chroniclers, who first witnessed areitos when Columbus landed on the island of Hispaniola. Areito ceremonies confused the Spanish because they were performative art that reminded the Spanish of (oh no!) their own ballad-narrative tradition called romances. For example, the conquistador Gonzalo Fernandez de Ovideo drew a direct comparison between the areitos good and noble way of recording past and ancient events and those of his Spanish homeland, leading him to argue that his Christian readers should not count the areitos as evidence of Native American savagery. The American anthropologist Donald Thompson (1993) has argued that the recognition of artistic similarities between the Taà ­no areito and Spanish romances led to the obliteration of detailed descriptions of song-dance ceremonies found throughout Central and South America. Bernadino de Sahagun used the term to refer to communal singing and dancing among the Aztecs; in fact, most historical narratives in the Aztec language were sung by groups and usually accompanied by dancing. Thompson (1993) counsels us to be very cautious about much that has been written about the areitos, for this exact reason: that the Spanish recognized conflated all kinds of rituals containing song and dance into the term areito. What was an Areito? The conquistadors described areitos as rituals, celebrations, narrative stories, work songs, teaching songs, funeral observances, social dances, fertility rites, and/or drunken parties. Thompson (1993) believes that the Spanish undoubtedly witnessed all of those things, but the word areito may well have simply meant group or activity in Arawakan (the Taino language). It was the Spanish who used it to categorize all kinds of dancing and singing events. The chroniclers used the word to mean chants, songs or poems, sometimes sung dances, sometimes poem-songs. The Cuban ethnomusicologist Fernando Ortiz Fernandez described areitos as the greatest musical artistic expression and poetic of the Antilles Indians, a conjunto (gathering) of music, song, dance and pantomime, applied to religious liturgies, magical rites and the epic narrations of the tribal histories and the great expressions of collective will. Songs of Resistance: The Areito de Anacaona Eventually, despite their admiration for the ceremonies, the Spanish stamped out the areito, replacing it with sacred church liturgies. One reason for this may have been the association of areitos with resistance. The Areito de Anacaona is a 19th-century song-poem written by Cuban composer Antonio Bachiller y Morales and dedicated to Anacaona (Golden Flower), a legendary Taà ­no female chief (cacica) [~1474-1503] who ruled the community of Xaragua (now Port-au-Prince) when Columbus made landfall. Anacaona was married to Caonabo, cacique of the neighboring kingdom of Maguana; her brother Behechio ruled Xaragua first but when he died, Anacaona seized power. She then led native revolts against the Spanish with whom she had previously established trade agreements. She was hung in 1503 at the order of Nicolas de Ovando [1460-1511], the first Spanish governor of the New World. Anacaona and 300 of her serving maidens performed an areito in 1494, to announce when Spanish forces led by Bartolome Colon met with Bechechio. We dont know what her song was about, but according to Fray Bartolome de las Casas, some of the songs in Nicaragua and Honduras were songs of explicit resistance, singing about how wonderful their lives had been before the arrival of the Spanish, and the amazing ability and cruelty of Spanish horses, men, and dogs. Variations According to the Spanish, there was lots of variety in the areitos. The dances varied a great deal: some were step-patterns that move along a specific pathway; some used walking patterns that went no more than a step or two in either direction; some wed recognize today as line dances; and some were led by a guide or dance master of either sex, who would use a call and response pattern of song and steps wed recognize from modern country dancing. The areito leader established the steps, words, rhythm, energy, tone, and pitch of a dance sequence, based on ancient clearly choreographed steps but continually evolving, with new adaptations and additions to accommodate new compositions. Instruments Instruments used at areitos in Central America included flutes and drums, and sleigh bell-like rattles made of wood containing small stones, something like maracas and called by the Spanish cascabels). Hawkbells were a trade item brought by the Spanish to trade with the locals, and according to the reports, the Taino liked them because they were louder and shinier than their versions. There were also drums of various sorts, and flutes and tinklers tied to clothing that added noise and movement. Father Ramà ³n Panà ©, who accompanied Columbus on his second voyage, described an instrument used at an areito called the mayouhauva or maiohauau. This was made of wood and hollow, measuring about a meter (3.5 ft) long and half as wide. Panà © said that the end that was played had the shape of a blacksmiths tongs, and the other end was like a club. No researcher or historian has since been able to even imagine what that looked like. Sources Atkinson L-G. 2006. The Earliest Inhabitants: The Dynamics of the Jamaican Taino. Kingston, Jamaica: University of West Indies Press.Leà ³n T. 2016. Polyrhythmia in the Music of Cuba. Polyrhythmia in the Music of Cuba. Diagonal: An Ibero-American Music Review 1(2).Saunders NJ. 2005. The Peoples of the Caribbean. An Encyclopedia of Archaeology and Traditional Culture. Santa Barbara, California: ABC-CLIO.Scolieri PA. 2013. On the Areito: Discovering Dance in the New World. Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest. University of Texas Press: Austin. p 24-43.Simmons ML. 1960. Pre-Conquest Narrative Songs in Spanish America. The Journal of American Folklore 73(288):103-111.Thompson D. 1983. Music Research in Puerto Rico. College Music Symposium 23(1):81-96.Thompson D. 1993. The Cronistas de Indias Revisited: Historical Reports, Archeological Evidence, and Literary and Artistic Traces of Indigenous Music and Dance in the Greater Antilles at the Time of th e Conquista. Latin American Music Review / Revista de Mà ºsica Latinoamericana 14(2):181-201.Wilson SC. 2007. The Archaeology of the Caribbean. New York: Cambridge University Press.